The Rite of Spring

Blog readers:

I am not often at a loss for words. I am now.

There is just no way to describe the awesome epicness of BalletMet and Columbus Symphony’s Rite of Spring. It is beyong adjectives. I was amazed, exhilarated, thrilled–I wanted to get up there and dance. James Kudelka’s choreography seems to me to be so close to what Nijinsky had done back in 1913 Paris. I’ve seen several of his works, and I think this is clearly his best effort yet.

Jean-Marie Zeitouni and the CSO were in top-notch, world-class form on all the pieces, but in Rite, they were glorious. Everything about it was perfect. The dancers, wearing dyed pointe shoes and mismatched costumes (that they pulled from the costume shop themselves) channeled the primitive, sometimes disturbing (as when the sacrifice occurs at the end) but always incredible emotions that permeate and pull this work forward to its conclusion. I have never had a more thrilling evening at the ballet, or the symphony.

If you live in Columbus, or anywhere near, you must come. Two more performances, one tomorrow evening and one Sunday matinee. DO. IT.

The performance also has Prelude to the Afternoon of the Faun (DeBussy), with choreography by Amedeo Amodio, and Rapsodie Espagnole (Ravel) with choreography by company dancer Jimmy Orrante. The costumes for this were fantastic, and the three men and three women who danced this piece brought the Spanish influences to life with their clear, crisp dancing and Spanish inspired costumes.

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